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      <image:caption>The search for heroes across the UK carrying out acts of benevolence toward the planet</image:caption>
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      <image:title>Work - WWF-Life Promo</image:title>
      <image:caption>A short promo to introduce web print stories about the life of WWF rangers and their work to protect wildlife</image:caption>
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      <image:title>Work - DRAW THE LINE - Save Virunga National Park</image:title>
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      <image:title>Work - Horizon:  What's the Right Diet for You</image:title>
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      <image:title>Work - WWF - Pandamonium</image:title>
      <image:caption>UK artists repurpose the old WWF panda collection boxes for auction.</image:caption>
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      <image:caption>WWF-UK Editor and graphics for video about WWF’s nominated Hidden Heroes.</image:caption>
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      <image:caption>bla bla bla</image:caption>
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      <image:title>Work - Central Scotland School of Jewellery</image:title>
      <image:caption>6 x short films about the processes of jewellery making. Camera, Director, Editor</image:caption>
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      <image:title>Work - WWF / M&amp;S- SUSTAINBLE COTTON PRODUCTION INDIA</image:title>
      <image:caption>How cotton farmers in India are moving to more sustainable farming methods with the help of WWF-UK, giving M&amp;S the opportunity to more accurately track the supply chain. One of two films produced, directed and filmed by Janine Finlay as well as additional photography assignment.</image:caption>
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      <image:title>Work - Drugs and Alcohol - Scottish National Audit Youth Panel</image:title>
      <image:caption>A short film made by young people (after training from Fin Films) from areas all over Scotland, as part of the Scottish National Audit on Drugs and Alcohol.</image:caption>
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    <lastmod>2026-03-31</lastmod>
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      <image:title>Wildlife Shorts</image:title>
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      <image:title>Wildlife Shorts - Woodpecker Identification</image:title>
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      <image:title>Wildlife Shorts - Heron Catching Fish</image:title>
      <image:caption>First time using Canon R5 and 100-500mm lens, obtained for wildlife filming as it shoots 8K and is Netflix compliant. What a learning curve! Such a different camera from documentary broadcast cameras (even though I have a Canon 5D, which is sort of comparable as a DSLR). Animal eye tracking is fantastic for perfect focus - if the subject moves. A slow, stealthy heron? Not so much! The camera struggled to focus, and I wish I’d relied on trusty manual focus and my own eyes! But manual focus was tricky, too – the sunset behind silhouetted the heron, adding fuzziness, plus heat haze made it look wavy and soft. Then there’s post-production workflow - yikes! 76GB files for short clips because I shot in 4K 4096x2160 at 100fps (super slomo). I had to speed it up because slomo isn’t great for a slow-moving heron!  Processing in Avid Media Composer was an experience - used FrameFlex for the first time to punch in closer (maybe too much, losing quality, but getting a better view of the fish being eaten). I experimented with resolutions and workflows, crashed Avid multiple times, and got very frustrated! Filmed on the Isle of Harris at the start of the Sea Eagle hide walk - which I never made! The walk was two hours, and I’d arrived via a narrow single-track mountain road in my clunky VW T4 at golden hour. Didn’t want to get stuck after dark! I’d already driven to four locations on the Bird of Prey Trail and found no wildlife - not even a duck! I had to cut some decent heron shots to keep the clip short and sweet. I also need more gear - a better tripod, a 4K monitor, a faster external drive. The lengths we go to as filmmakers! Days in the making, not counting prep. Created during a writing/creative/shamanic retreat on the Isle of Lewis, expertly facilitated by Carrie Day. Hope you enjoy it! Any guesses on what fish the heron caught?</image:caption>
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      <image:title>Wildlife Shorts - Catching a Heron Catching a Fish!  sle of Harris</image:title>
      <image:caption>First time using my Canon R5 and 100-500mm lens, obtained for wildlife filming as it shoots 8K and is Netflix compliant. What a learning curve! Such a different camera from documentary broadcast cameras (even though I have a Canon 5D, which is sort of comparable as a DSLR). Animal eye tracking is fantastic for perfect focus - if the subject moves. A slow, stealthy heron? Not so much! The camera struggled to focus, and I wish I’d relied on trusty manual focus and my own eyes! But manual focus was tricky, too – the sunset behind silhouetted the heron, adding fuzziness, plus heat haze made it look wavy and soft. Then there’s post-production workflow - yikes! 76GB files for short clips because I shot in 4K 4096x2160 at 100fps (super slomo). I had to speed it up because slomo isn’t great for a slow-moving heron!  Processing in Avid Media Composer was an experience - used FrameFlex for the first time to punch in closer (maybe too much, losing quality, but getting a better view of the fish being eaten). I experimented with resolutions and workflows, crashed Avid multiple times, and got very frustrated! Filmed on the Isle of Harris at the start of the Sea Eagle hide walk - which I never made! The walk was two hours, and I’d arrived via a narrow single-track mountain road in my clunky VW T4 at golden hour. Didn’t want to get stuck after dark! I’d already driven to four locations on the Bird of Prey Trail and found no wildlife - not even a duck! I had to cut some decent heron shots to keep the clip short and sweet. I also need more gear - a better tripod, a 4K monitor, a faster external drive. The lengths we go to as filmmakers! Days in the making, not counting prep. Created during a writing/creative/shamanic retreat on the Isle of Lewis, expertly facilitated by Carrie Day. Hope you enjoy it! Any guesses on what fish the heron caught?</image:caption>
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      <image:title>Wildlife Shorts - The Little Things In Spring</image:title>
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